{"id":648,"date":"2015-08-27T22:19:00","date_gmt":"2015-08-27T22:19:00","guid":{"rendered":"http:\/\/box5722.temp.domains\/~audioor1\/how-to-order-your-effects-chain\/"},"modified":"2015-08-27T22:19:00","modified_gmt":"2015-08-27T22:19:00","slug":"how-to-order-your-effects-chain","status":"publish","type":"post","link":"https:\/\/audioordeal.co.uk\/how-to-order-your-effects-chain\/","title":{"rendered":"How to Order Your Effects Chain"},"content":{"rendered":"
You have written your guitar track and the notes are spot on. It sounds rough around the edges so we need to add some effects and processing to it but, there’s much to do and in what order? For example, what are the benefits of reverb before\/after compression<\/a>? Do I EQ before reverb? Where should I add that tasty crunch?<\/p>\n This is my own opinion and what I’ve found works well for me…<\/p>\n <\/a><\/p>\n The way I look at it, we want to emulate the most natural sound possible. The first way to do this is imagine an acoustic guitar playing in a room. We have the sound coming from the instrument, which sounds a certain way. The sound then goes out and interacts with the room and naturally reverberates according to the room’s physics.<\/p>\n By emulating the sound that would be naturally created, you get a really nice “realistic” perception of the music. I call this emulating the “acoustic signal chain”<\/p>\n To emulate this, you would want your guitar track first (duh). Then you would want to order it in the same way it would be ordered in real life. So let’s say you want to change the tone of the guitar, you would do this EQ’ing immediately. This means you are EQ’ing an otherwise dry signal so it could, without any effort, be perceived as the tone of an unaltered instrument.<\/p>\n Now we want to emulate the sound of it playing out into a room. This is where you would add the reverb to match the kind of room you’d like to emulated. With a bit of maths, the pre-delay can be calculated for whatever room size you like (sound goes at 343ms-1<\/sup>).<\/p>\n With this example we are almost done, time to EQ the reverb to suit the room and touch up the sound.<\/p>\n That was the simplest example I can think of. I’m going to go on to describe a more complex approach with compression and more effects. This would be more like what you would do in a mix with other instruments or, for a pro sounding mix on a solo instrument.<\/p>\n We shall start with a different source this time, a nice leading electric guitar, it’s about to go into a solo and the tasty, tasty notes need to sound good. What we will be doing here is looking how a guitar is set up on stage, the lead goes out, through the effects pedals, into amp, picked up by microphone, into the PA which projects out into a room which effects the sound some more.<\/p>\n