{"id":522,"date":"2016-02-01T09:00:00","date_gmt":"2016-02-01T09:00:00","guid":{"rendered":"http:\/\/box5722.temp.domains\/~audioor1\/tip-of-the-week-2-reverb-eq-2\/"},"modified":"2016-02-01T09:00:00","modified_gmt":"2016-02-01T09:00:00","slug":"tip-of-week-2-reverb-eq","status":"publish","type":"post","link":"https:\/\/audioordeal.co.uk\/tip-of-week-2-reverb-eq\/","title":{"rendered":"Tip of the week: 2 Reverb EQ"},"content":{"rendered":"
As seen last week<\/a>, the reverb’s pre-delay is an important factor to consider when setting reverb. This week’s tip will zoom out to a more macroscopic view of the reverb and how it interacts with the rest of the track. The intent of reverb can often be it’s downfall, where it prolongs the frequencies expressed by an instrument and can allow them to accumulate. This is fine for mids and highs but low frequency noise does not work well with reverbs.
<\/a><\/p>\n