{"id":273,"date":"2016-10-01T14:27:00","date_gmt":"2016-10-01T14:27:00","guid":{"rendered":"http:\/\/box5722.temp.domains\/~audioor1\/four-free-cheap-plugins-for-mastering\/"},"modified":"2016-10-01T14:27:00","modified_gmt":"2016-10-01T14:27:00","slug":"four-freecheap-plugins-for-mastering","status":"publish","type":"post","link":"https:\/\/audioordeal.co.uk\/four-freecheap-plugins-for-mastering\/","title":{"rendered":"Four Free\/Cheap Plugins For Mastering"},"content":{"rendered":"
Mastering can be a complex process, applying the final shine and polish to a mix, it is no doubt a job that requires extreme skill. The thing is, not everyone can afford a mastering engineer. This article guides you towards four essential plugins to use to master your own tracks. Three of these plugins are freely available. While they will never compare to the extreme high end gear of a mastering studio engineer, they will make your tracks nicer for presenting online and releasing as demos. With time, you can approximate very good results.<\/p>\n
<\/a><\/p>\n The first thing to remember when trying these plugins out is that you cannot fix a bad mix during mastering. If it is mixed badly, it needs to be done again. You wouldn’t polish badly assembled furniture, nor would you polish a faulty track.<\/p>\n The other thing to realise is that these can’t be slapped on the master bus without intent, you need to know why you are adding them and make sure they really are needed. For this reason, I’d strongly advise you to never use all four of these at once during mastering, doing so would probably sound bad and demonstrate a lack of understanding on the mastering process.<\/p>\n MHorse P3 mkII (Terry West)<\/u> – Download<\/a> [FREE]<\/b><\/p>\n MHorse P3 mkII is an outstanding mastering “suite”. It contains all your essentials and is by far the best plugin for quick mastering. Put this on the master mix and work through the settings to get that final shine you need. It sounds good and is easy on the eye.<\/p>\n For those of you who like mid\/side processing it has that to offer, as well as a simpler stereo function. The EQs are fantastic, as are the exciter and tape settings. It offers many more settings, including a New York parallel compression<\/a> option with 10 settings so you can flick through them and saves manually inputting the compressor settings.<\/p>\n Of course, one of the most important buttons, the bypass, is clear to find and is situated next to the equally helpful EQ toggle. Of all the plugins I’ve used, this is one of the most straightforward with everything well thought out and positioned conveniently.<\/p>\n This, beyond doubt is a tool everyone needs to have in their DAW, whether they are producing music or doing audio touch-ups\/restoration. It will come into great use and is mind-blowing for a free plugin.<\/p>\n If you like the look of this plugin, you should really check out Terry West’s site<\/a> where he has many more incredible plugins.<\/p>\n Ferric TDS (Variety of Sound)<\/u> – Download<\/a> [FREE]<\/b> Ferric TDS is a tape saturation plugin. I enjoy using this as the last effect on a mastering bus. The effects are a gentle noticeable warmth especially on the low-mids and upper-bass frequencies. You will struggle to put you finger on what it adds if you are unfamiliar with tape distortion but you know it’s better on. My advice is just to fiddle until you like the result.<\/p>\n One thing this plugin does well is distort the bass badly if there’s too much bass in the track. Set the dynamics and distortion to full settings and if the bass sounds bad, you may want to revisit the mix. This trick was something I stumbled upon when playing with this plugin on various mixes.<\/p>\n Of course, you would be unlikely to need to run the controls on full blast, this one requires a bit more subtlety. If you are struggling to hear the effect of this, put it on your mix at the end of the mastering chain on a very <\/i>low setting and it will add something that better monitors\/headphones will pick up.<\/p>\n Other Variety of Sound plugins.<\/a><\/p>\n Frontier (D16)<\/u> – Download<\/a> [FREE]<\/b> One of my favourite functions is the soft clip switch which gives an incredibly nice saturation to the sound, the knobs are labelled clearly, with the black bars denoting the extreme settings where things get really fun.<\/p>\n A handy feature is the auto gain normalisation where after compression it brings the level back up, which of course, you can then change.<\/p>\n The release is a simple three option switch, great for ease of use, but important enough to be there. I recommend for mastering using two of this plugin in series, one with a fast release, and one with a slow one. Make sure each instance isn’t full-blown brick-walling!<\/p>\n If like me, you are stuck using an under-powered computer for most things, then you can still use this with ease as it does offer quality settings to reduce the CPU load. Especially when you are using two of these plugins in series for transparency the load can become significant.<\/p>\n I do highly recommend you bump up the quality before rendering however as there is a noticeable difference between the quality settings. For monitoring though, the low settings will do just fine.<\/p>\n D16’s other products.<\/a><\/p>\n Pusher (Infected Mushroom\/Waves)<\/u> – Download<\/a> [$49]<\/b>
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<\/b>This plugin is not a complete mastering suite, it is used in conjunction with other plugins. Going by the method of using individual plugins allows you the freedom to add only what you want and doesnt restrict you to using the specific effect in a mastering suite like MHorse P3 mk II above.<\/p>\n
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The Frontier self-adaptive versatile limiter, produced by D16 Group, is an outstanding plugin that’s freely available to anyone registered D16 users.
If you are in need of a limiter for either mixing or mastering, I might have found the one for you! This plugin is a beast. It can go from gentle, transparent, gluing of a mix, to full blown saturation.<\/p>\n
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