{"id":174,"date":"2017-10-29T14:46:00","date_gmt":"2017-10-29T14:46:00","guid":{"rendered":"http:\/\/box5722.temp.domains\/~audioor1\/how-to-make-grime-garage-bass-by-artists-like-flava-d-and-skepsis\/"},"modified":"2017-10-29T14:46:00","modified_gmt":"2017-10-29T14:46:00","slug":"how-to-make-grimegarage-bass-by-artists","status":"publish","type":"post","link":"https:\/\/audioordeal.co.uk\/how-to-make-grimegarage-bass-by-artists\/","title":{"rendered":"How to Make Grime\/Garage Bass by artists like Flava D and Skepsis"},"content":{"rendered":"

UK Grime and Garage is emerging into mainstream dance hotspots around the world. Youtube channels such as Deeprot<\/a> are gaining massive followings and spreading some of the UK’s dirtiest basslines from the likes of London, Manchester, and Birmingham. This tutorial is going to show you how to generate one of the hottest sounds in the scene at present. Differing from the deep UK house “bass donk” as is popular in tracks by MNEK<\/a>, and David Zowie<\/a>, this grime bass is characterised by a slower attack, whiney FM wub most popular in tracks by the likes of Flava D (below), and Skepsis.<\/div>\n

The first trick to getting any synth sound by ear is to analyse what the component sounds are. We will use Flava D’s “In the Dance” as a reference.<\/div>\n

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