{"id":12433,"date":"2020-11-11T03:07:04","date_gmt":"2020-11-11T03:07:04","guid":{"rendered":"https:\/\/audioordeal.co.uk\/?p=12433"},"modified":"2020-11-11T03:07:16","modified_gmt":"2020-11-11T03:07:16","slug":"ableton-11-to-be-released-soon-heres-whats-new","status":"publish","type":"post","link":"https:\/\/audioordeal.co.uk\/ableton-11-to-be-released-soon-heres-whats-new\/","title":{"rendered":"Ableton 11 to be released soon. Here’s what’s new…"},"content":{"rendered":"\n

Here’s how much Live 11 Suite will be to upgrade to (\u00a3143) if you own Live 10 Suite (Disclaimer: This screengrab is from my personal Ableton account and prices may vary depending on location)<\/figcaption><\/figure>\n\n\n\n
Ableton Live 11 NEW FEATURES<\/h2>\n\n\n\n
Ableton have added a video highlighting the main updates to Live these include comping where you can record multiple takes in lanes \u2013 a much needed feature for vocalists and people recording live instruments.<\/p>\n\n\n\n
\n<\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>It also includes MPE, which allows you to use your MPE controller and edit MPE data for better hardware integration.<\/p>\n\n\n\n<p>One of the coolest new features will sit well with bands who use Ableton in their sets. Live 11 will be able to follow the tempo of the band and keep up allowing for tighter performances and better creativity options.<\/p>\n\n\n\n<p>One of my favourite features is the ability to store the state of Macros, meaning you can have your own “preset folder” in the Macro itself. You can now also randomise Macro values.<\/p>\n\n\n\n<p>A huge gripe I had with the Macros in Live 10 was the fact that you HAD to have eight of them in view, and you couldn’t have any more. Not in Live 11. With the update you can now configure your Macros to control between one and 16 parameters, simplifying the look if you only want a one-knob control.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_m6F0ojhYpY?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>For those looking to gain new creative inspiration, you can now set note probabilities, meaning they won’t necessarily play each time, opening you up to new ideas and variations. Velocity probability can also be set in a similar manner.<\/p>\n\n\n\n<p>New sounds are another great reason to consider the upgrade. Ableton has partnered with Spitfire Audio to include a whole wealth of new audio samples in Live 11 \u2013 as well as updating existing packs.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">New devices in Ableton Live 11<\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"627\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?resize=627%2C188&ssl=1\" alt=\"\" class=\"wp-image-12435\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?w=627&ssl=1 627w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?resize=300%2C90&ssl=1 300w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?resize=600%2C180&ssl=1 600w\" sizes=\"(max-width: 627px) 100vw, 627px\" data-recalc-dims=\"1\" \/><figcaption>Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"516\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-resonator.png?resize=516%2C188&ssl=1\" alt=\"\" class=\"wp-image-12436\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-resonator.png?w=516&ssl=1 516w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-resonator.png?resize=300%2C109&ssl=1 300w\" sizes=\"(max-width: 516px) 100vw, 516px\" data-recalc-dims=\"1\" \/><figcaption>Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-time.png?resize=571%2C188&ssl=1\" alt=\"\" class=\"wp-image-12437\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-time.png?w=571&ssl=1 571w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-time.png?resize=300%2C99&ssl=1 300w\" sizes=\"(max-width: 571px) 100vw, 571px\" data-recalc-dims=\"1\" \/><figcaption>Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio \u2013 either free-running or in time with the beat \u2013 for stuttered, glitched and washed-out effects.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"152\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=640%2C152&ssl=1\" alt=\"\" class=\"wp-image-12439\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?w=791&ssl=1 791w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=300%2C71&ssl=1 300w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=768%2C183&ssl=1 768w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=600%2C143&ssl=1 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption>Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 \u2013 an early digital effects processor. It\u2019s a flexible tool to add character to sounds in the studio, or for in-<\/figcaption><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">New Instruments in Ableton Live 11<\/h2>\n\n\n\n<p>Live 11 will include six new instruments developed by Dillon Bastan, which are inspired by natural and physical processes to generate unique and “playful” sounds.<\/p>\n\n\n\n<p>I am particularly excited about the Tree Tone instrument and the absolutely gorgeous sounds it is making in the demo.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-fm.png?resize=478%2C188&ssl=1\" alt=\"\" class=\"wp-image-12440\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-fm.png?w=478&ssl=1 478w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-fm.png?resize=300%2C118&ssl=1 300w\" sizes=\"(max-width: 478px) 100vw, 478px\" data-recalc-dims=\"1\" \/><figcaption><strong>Vector FM \u2013 Manipulate different combinations of FM oscillators represented by moving particles \u2013 play with movement and voices to create evolving modulations and textures.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-grain.png?resize=478%2C188&ssl=1\" alt=\"\" class=\"wp-image-12441\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-grain.png?w=478&ssl=1 478w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-grain.png?resize=300%2C118&ssl=1 300w\" sizes=\"(max-width: 478px) 100vw, 478px\" data-recalc-dims=\"1\" \/><figcaption><strong>Vector Grain \u2013 A granular looper that visualizes sound modulation by moving particles on the interface \u2013 play with attraction and magnetism or loop the particles through a flow field.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-delay.png?resize=478%2C188&ssl=1\" alt=\"\" class=\"wp-image-12442\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-delay.png?w=478&ssl=1 478w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-delay.png?resize=300%2C118&ssl=1 300w\" sizes=\"(max-width: 478px) 100vw, 478px\" data-recalc-dims=\"1\" \/><figcaption><strong>Vector Delay \u2013 Each visualized particle in this multitap delay device represents a different delay line \u2013 create pitch shifting or reverse delay effects with movement controlled by physical forces.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?resize=625%2C188&ssl=1\" alt=\"\" class=\"wp-image-12444\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?w=625&ssl=1 625w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?resize=300%2C90&ssl=1 300w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?resize=600%2C180&ssl=1 600w\" sizes=\"(max-width: 625px) 100vw, 625px\" data-recalc-dims=\"1\" \/><figcaption><strong>Emit \u2013 This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"523\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/tree-tone-1.png?resize=523%2C188&ssl=1\" alt=\"\" class=\"wp-image-12446\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/tree-tone-1.png?w=523&ssl=1 523w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/tree-tone-1.png?resize=300%2C108&ssl=1 300w\" sizes=\"(max-width: 523px) 100vw, 523px\" data-recalc-dims=\"1\" \/><figcaption><strong><strong>Tree Tone \u2013 Grow different fractal patterns inspired by plants, then use them to generate sound using wavetable oscillators, or as resonators for incoming audio.<\/strong><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/bouncy-notes.png?resize=597%2C188&ssl=1\" alt=\"\" class=\"wp-image-12447\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/bouncy-notes.png?w=597&ssl=1 597w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/bouncy-notes.png?resize=300%2C94&ssl=1 300w\" sizes=\"(max-width: 597px) 100vw, 597px\" data-recalc-dims=\"1\" \/><figcaption><strong>Bouncy Notes \u2013 Bounce balls up and down a piano roll to create pitch shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p>There are also more conventional sounds added: an Upright Piano, Brass Quartet, and String Quartet.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>Ableton have added a lot of much-needed improvements to their already smooth-running DAW. These improvements will make producers’ lives easier and allow for more creative freedom. <\/p>\n\n\n\n<p>The added instruments are a welcome inclusion, especially the Inspired By Nature series, which is a really cool idea \u2013 if not a bit obscure for some mainstream producers.<\/p>\n\n\n\n<p>MIDI compositions will be a lot more interesting with the new note and velocity probability features, and the streamlined Macros will make mixing and producing even smoother than before. <\/p>\n\n\n\n<p>We recommend the current upgrade offers if you can afford it and love the sound of the new features. If nothing tickles your fancy here though, the upgrade price may be a bit too steep to justify it. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ableton have release the upcoming release of Live 11, the latest edition of one of…<\/p>\n","protected":false},"author":2,"featured_media":12448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2157,5,2210],"tags":[1272,2139,1367,2240],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ableton 11 to be released soon. 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Here’s how much Live 11 Suite will be to upgrade to (\u00a3143) if you own Live 10 Suite (Disclaimer: This screengrab is from my personal Ableton account and prices may vary depending on location)<\/figcaption><\/figure>\n\n\n\n
Ableton Live 11 NEW FEATURES<\/h2>\n\n\n\n
Ableton have added a video highlighting the main updates to Live these include comping where you can record multiple takes in lanes \u2013 a much needed feature for vocalists and people recording live instruments.<\/p>\n\n\n\n
\n<\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>It also includes MPE, which allows you to use your MPE controller and edit MPE data for better hardware integration.<\/p>\n\n\n\n<p>One of the coolest new features will sit well with bands who use Ableton in their sets. Live 11 will be able to follow the tempo of the band and keep up allowing for tighter performances and better creativity options.<\/p>\n\n\n\n<p>One of my favourite features is the ability to store the state of Macros, meaning you can have your own “preset folder” in the Macro itself. You can now also randomise Macro values.<\/p>\n\n\n\n<p>A huge gripe I had with the Macros in Live 10 was the fact that you HAD to have eight of them in view, and you couldn’t have any more. Not in Live 11. With the update you can now configure your Macros to control between one and 16 parameters, simplifying the look if you only want a one-knob control.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/_m6F0ojhYpY?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>For those looking to gain new creative inspiration, you can now set note probabilities, meaning they won’t necessarily play each time, opening you up to new ideas and variations. Velocity probability can also be set in a similar manner.<\/p>\n\n\n\n<p>New sounds are another great reason to consider the upgrade. Ableton has partnered with Spitfire Audio to include a whole wealth of new audio samples in Live 11 \u2013 as well as updating existing packs.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">New devices in Ableton Live 11<\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"627\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?resize=627%2C188&ssl=1\" alt=\"\" class=\"wp-image-12435\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?w=627&ssl=1 627w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?resize=300%2C90&ssl=1 300w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/hybrid-reverb.png?resize=600%2C180&ssl=1 600w\" sizes=\"(max-width: 627px) 100vw, 627px\" data-recalc-dims=\"1\" \/><figcaption>Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"516\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-resonator.png?resize=516%2C188&ssl=1\" alt=\"\" class=\"wp-image-12436\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-resonator.png?w=516&ssl=1 516w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-resonator.png?resize=300%2C109&ssl=1 300w\" sizes=\"(max-width: 516px) 100vw, 516px\" data-recalc-dims=\"1\" \/><figcaption>Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"571\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-time.png?resize=571%2C188&ssl=1\" alt=\"\" class=\"wp-image-12437\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-time.png?w=571&ssl=1 571w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/spectral-time.png?resize=300%2C99&ssl=1 300w\" sizes=\"(max-width: 571px) 100vw, 571px\" data-recalc-dims=\"1\" \/><figcaption>Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. The Freeze function captures and holds a slice of audio \u2013 either free-running or in time with the beat \u2013 for stuttered, glitched and washed-out effects.<\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"152\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=640%2C152&ssl=1\" alt=\"\" class=\"wp-image-12439\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?w=791&ssl=1 791w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=300%2C71&ssl=1 300w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=768%2C183&ssl=1 768w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/pitchloop89-1.png?resize=600%2C143&ssl=1 600w\" sizes=\"(max-width: 640px) 100vw, 640px\" data-recalc-dims=\"1\" \/><figcaption>Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 \u2013 an early digital effects processor. It\u2019s a flexible tool to add character to sounds in the studio, or for in-<\/figcaption><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">New Instruments in Ableton Live 11<\/h2>\n\n\n\n<p>Live 11 will include six new instruments developed by Dillon Bastan, which are inspired by natural and physical processes to generate unique and “playful” sounds.<\/p>\n\n\n\n<p>I am particularly excited about the Tree Tone instrument and the absolutely gorgeous sounds it is making in the demo.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-fm.png?resize=478%2C188&ssl=1\" alt=\"\" class=\"wp-image-12440\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-fm.png?w=478&ssl=1 478w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-fm.png?resize=300%2C118&ssl=1 300w\" sizes=\"(max-width: 478px) 100vw, 478px\" data-recalc-dims=\"1\" \/><figcaption><strong>Vector FM \u2013 Manipulate different combinations of FM oscillators represented by moving particles \u2013 play with movement and voices to create evolving modulations and textures.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-grain.png?resize=478%2C188&ssl=1\" alt=\"\" class=\"wp-image-12441\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-grain.png?w=478&ssl=1 478w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-grain.png?resize=300%2C118&ssl=1 300w\" sizes=\"(max-width: 478px) 100vw, 478px\" data-recalc-dims=\"1\" \/><figcaption><strong>Vector Grain \u2013 A granular looper that visualizes sound modulation by moving particles on the interface \u2013 play with attraction and magnetism or loop the particles through a flow field.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"478\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-delay.png?resize=478%2C188&ssl=1\" alt=\"\" class=\"wp-image-12442\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-delay.png?w=478&ssl=1 478w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/vector-delay.png?resize=300%2C118&ssl=1 300w\" sizes=\"(max-width: 478px) 100vw, 478px\" data-recalc-dims=\"1\" \/><figcaption><strong>Vector Delay \u2013 Each visualized particle in this multitap delay device represents a different delay line \u2013 create pitch shifting or reverse delay effects with movement controlled by physical forces.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?resize=625%2C188&ssl=1\" alt=\"\" class=\"wp-image-12444\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?w=625&ssl=1 625w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?resize=300%2C90&ssl=1 300w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/emit-1.png?resize=600%2C180&ssl=1 600w\" sizes=\"(max-width: 625px) 100vw, 625px\" data-recalc-dims=\"1\" \/><figcaption><strong>Emit \u2013 This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"523\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/tree-tone-1.png?resize=523%2C188&ssl=1\" alt=\"\" class=\"wp-image-12446\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/tree-tone-1.png?w=523&ssl=1 523w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/tree-tone-1.png?resize=300%2C108&ssl=1 300w\" sizes=\"(max-width: 523px) 100vw, 523px\" data-recalc-dims=\"1\" \/><figcaption><strong><strong>Tree Tone \u2013 Grow different fractal patterns inspired by plants, then use them to generate sound using wavetable oscillators, or as resonators for incoming audio.<\/strong><\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"188\" src=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/bouncy-notes.png?resize=597%2C188&ssl=1\" alt=\"\" class=\"wp-image-12447\" srcset=\"https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/bouncy-notes.png?w=597&ssl=1 597w, https:\/\/i0.wp.com\/audioordeal.co.uk\/wp-content\/uploads\/2020\/11\/bouncy-notes.png?resize=300%2C94&ssl=1 300w\" sizes=\"(max-width: 597px) 100vw, 597px\" data-recalc-dims=\"1\" \/><figcaption><strong>Bouncy Notes \u2013 Bounce balls up and down a piano roll to create pitch shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.<\/strong><\/figcaption><\/figure><\/div>\n\n\n\n<p>There are also more conventional sounds added: an Upright Piano, Brass Quartet, and String Quartet.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>Ableton have added a lot of much-needed improvements to their already smooth-running DAW. These improvements will make producers’ lives easier and allow for more creative freedom. <\/p>\n\n\n\n<p>The added instruments are a welcome inclusion, especially the Inspired By Nature series, which is a really cool idea \u2013 if not a bit obscure for some mainstream producers.<\/p>\n\n\n\n<p>MIDI compositions will be a lot more interesting with the new note and velocity probability features, and the streamlined Macros will make mixing and producing even smoother than before. <\/p>\n\n\n\n<p>We recommend the current upgrade offers if you can afford it and love the sound of the new features. If nothing tickles your fancy here though, the upgrade price may be a bit too steep to justify it. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ableton have release the upcoming release of Live 11, the latest edition of one of…<\/p>\n","protected":false},"author":2,"featured_media":12448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[2157,5,2210],"tags":[1272,2139,1367,2240],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ableton 11 to be released soon. 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