{"id":119,"date":"2018-12-23T13:21:00","date_gmt":"2018-12-23T13:21:00","guid":{"rendered":"http:\/\/box5722.temp.domains\/~audioor1\/djing-with-cue-points\/"},"modified":"2018-12-28T13:39:25","modified_gmt":"2018-12-28T13:39:25","slug":"djing-with-cue-points","status":"publish","type":"post","link":"https:\/\/audioordeal.co.uk\/djing-with-cue-points\/","title":{"rendered":"DJing with Cue Points"},"content":{"rendered":"
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Sometimes you may be blending a song during a build to the next song’s drop, using cue points on the outgoing track, you can keep re-triggering a section, or hit at increasing frequency. This doubles up as a great way of concealing the next song as a part of the previous song.<\/span><\/p>\n I often do this when playing an original mix, and want to blend in the remix of that song, where elements from both are hitting at the same time. When done right, this makes the transition more seamless and potentially frantic.<\/span><\/p>\n If two songs are in the same key, you can flick between certain elements between the two when they are dropping. This works best with tight crossfader technique in a Hip-hop-style “cutting” action, where you chop between the elements of each song, such that only one is playing at any time.<\/span><\/p>\n